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KicNRush
04:53
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It is the second act of Materica and wears the name of the fateful trio Parassela, formed by Blawan and The Analogue Cops, which have come together in their sixth release.
Their 4 original tracks composed, mixed and produced in Berlin during a furious session just before the second wave of the COVID-19 pandemic feature their too fast and too funky combination of heavy analog processing hardware, modular exaggeration, high digital tech discomfort and paramilitary drums.
This work is an anxious assertion about the ideological bankruptcy of a so-called tired music industry that seems too contrived and refined for the antagonistic younger generation; a business model against the seminal anti-capitalist nature of Techno.
Rudis Materia, founder of the newborn Materica label. His music is geared towards the techno-industrial genre with drone and EBM influences. His approach to the remix was different from the climb, he decided not to take as the only reference one of the 3 tracks but rather the concept behind the EP. Then he sampled samples from the 3 tracks and from there he shaped his reinterpretation of BOTMI.
The Ep cover represent a jack-hammer robot used symbolically to convey the idea of the pounding, mechanical and fast sound of the ep.
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2. |
SkornDaGask
04:29
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It is the second act of Materica and wears the name of the fateful trio Parassela, formed by Blawan and The Analogue Cops, which have come together in their sixth release.
Their 4 original tracks composed, mixed and produced in Berlin during a furious session just before the second wave of the COVID-19 pandemic feature their too fast and too funky combination of heavy analog processing hardware, modular exaggeration, high digital tech discomfort and paramilitary drums.
This work is an anxious assertion about the ideological bankruptcy of a so-called tired music industry that seems too contrived and refined for the antagonistic younger generation; a business model against the seminal anti-capitalist nature of Techno.
Rudis Materia, founder of the newborn Materica label. His music is geared towards the techno-industrial genre with drone and EBM influences. His approach to the remix was different from the climb, he decided not to take as the only reference one of the 3 tracks but rather the concept behind the EP. Then he sampled samples from the 3 tracks and from there he shaped his reinterpretation of BOTMI.
The Ep cover represent a jack-hammer robot used symbolically to convey the idea of the pounding, mechanical and fast sound of the ep.
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3. |
ThePenguinSinDrum
04:49
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It is the second act of Materica and wears the name of the fateful trio Parassela, formed by Blawan and The Analogue Cops, which have come together in their sixth release.
Their 4 original tracks composed, mixed and produced in Berlin during a furious session just before the second wave of the COVID-19 pandemic feature their too fast and too funky combination of heavy analog processing hardware, modular exaggeration, high digital tech discomfort and paramilitary drums.
This work is an anxious assertion about the ideological bankruptcy of a so-called tired music industry that seems too contrived and refined for the antagonistic younger generation; a business model against the seminal anti-capitalist nature of Techno.
Rudis Materia, founder of the newborn Materica label. His music is geared towards the techno-industrial genre with drone and EBM influences. His approach to the remix was different from the climb, he decided not to take as the only reference one of the 3 tracks but rather the concept behind the EP. Then he sampled samples from the 3 tracks and from there he shaped his reinterpretation of BOTMI.
The Ep cover represent a jack-hammer robot used symbolically to convey the idea of the pounding, mechanical and fast sound of the ep.
|
||||
4. |
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It is the second act of Materica and wears the name of the fateful trio Parassela, formed by Blawan and The Analogue Cops, which have come together in their sixth release.
Their 4 original tracks composed, mixed and produced in Berlin during a furious session just before the second wave of the COVID-19 pandemic feature their too fast and too funky combination of heavy analog processing hardware, modular exaggeration, high digital tech discomfort and paramilitary drums.
This work is an anxious assertion about the ideological bankruptcy of a so-called tired music industry that seems too contrived and refined for the antagonistic younger generation; a business model against the seminal anti-capitalist nature of Techno.
Rudis Materia, founder of the newborn Materica label. His music is geared towards the techno-industrial genre with drone and EBM influences. His approach to the remix was different from the climb, he decided not to take as the only reference one of the 3 tracks but rather the concept behind the EP. Then he sampled samples from the 3 tracks and from there he shaped his reinterpretation of BOTMI.
The Ep cover represent a jack-hammer robot used symbolically to convey the idea of the pounding, mechanical and fast sound of the ep.
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Materica Records Utrecht, Netherlands
MATERICA created by RudisMateria.
It isn't only a record label but also a platform for artists who want to go
beyond their individuality, giving birth to collaborations to create new sound identities and creative symbiosis.
The goal is to break down the canons and boundaries that flatten the sound and limit music to a limited market, encouraging experimentation and contamination with other styles.
... more
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